Melbits Pod wins the first ever EuroPlay Vide Game Contest. Read on for more information about it and all the fantastic games that took part.
EuroPlay Video Game Contest - Round Up
The first ever EuroPlay contest, sponsored by Dead Good Media, took place on Friday 28 August. The competition showed off the best unreleased games from Europe and Australia, with thousands of games fans from across the world tuning in to vote for their favoutire.
EuroPlay Video Game Contest - Winner
But only one game could emerge as the winner of the first ever EuroPlay competition. And the first ever winner was Melbits Pod by Melbot Studio, which won it on behalf of Spain.
In a tightly contested competition, that saw thousands of votes cast in under an hour, the entry from Spain emerged victorious in front of its rivals from across the rest of the world.
But while there was only one winner on the night, every game that competed was a bit of a gem. That's why we're running down the whole selection for you below.
WINNER - Melbits POD (Melbot Studios) - Spain
Monstrum 2 (Junkfish) - United Kingdom
Innchanted (DragonBear Studios) - Australia
Midnight Protocol (LuGus Studios) - Belgium
VALHALL (Blackrose Arts) - Belarus
Moo Lander (The Sixth Hammer) - Bulgaria
Lost Hero (GoldKnights) - Czech Republic
Baldo: The Guardian Owls (NAPS Team) - Italy
Pieceful (an olive) - Latvia
The Riftbreaker (EXOR Studios) - Poland
Door Kickers 2: Task Force North (Killhouse Games) - Romania
Going Medieval (Foxy Voxel) - Serbia
Team:Cars (Caustique Games) - Switzerland
The Falconeer (Tomas Sala) - The Netherlands
Undungeon (Laughing Machines) - Ukraine
EuroPlay Event Partner
Established in 2012 by UK game industry veteran Stu Taylor, Dead Good has built an award-winning reputation for its no-nonsense approach to video games PR on a local and global level.
Dead Good has since expanded into North America and is also one of the only PR agencies that has a dedicated in-house team focused on pitching and placing organic, earned influencer content, without the need to budget for paid placements that tend to deliver unsatisfactory engagement.
From triple A in-house consultancy and global media launches, to promoting the next indie darling to an influencer streaming audience, Dead Good’s straight-talking approach ditches marketing buzzwords, delivering results that have clients renewing with us year after year.